Caper Cutters Still Swinging
By Nova Szoka
St. Paul's Church Hall bustles with color, movement and sound every Monday
night when the San Francisco Caper Cutters take over. They "bend the line,"
"slip the clutch," "box the gnat," "pass the ocean,"
"sweep a quarter," "do the California twirl," "recycle"
and then "promenade home."
The Caper Cutters are square dancers, and part of one of San Francisco's oldest
square dancing clubs, the Caper Cutters Square Dance Club, which recently celebrated
it's 52nd anniversary. Gathering on Monday evenings at St. Paul's Church, located
at the corner of 43rd Avenue and Judah Street, members come from all around
San Francisco, South San Francisco, Daly City and Brisbane to dance and celebrate
life. Women wear colorful dancing dresses with pleated skirts and soft-sole
dancing shoes, while men wear western shirts with old fashioned cloth ties and
cowboy hats - their colorful attire a testament to their enthusiasm for the
art form.
The Caper Cutter's Club was formed in 1950 by teacher-caller Jack McKay, along
with the now defunct Square Cutters and Diamond Cutters. The club currently
has about 60 active members that are between the ages of 37 and 90 years old.
Lore Andreasen, a senior and Caper Cutter for more than 30 years, remembers
in the club's early days they were still "selling square dancing dresses
at JC Penney." She also remembers huge hoedowns at Lowell High School that
had more than 400 participants.
The club, in addition to its Monday night dancing, hosts mini-hoedowns at St.
Paul's gym on some weekends. Square dancing is done by four couples that stand
in a square, facing inward. Two couples are "head couples" and the
other two couples are "side couples." Usually 48 to 64 people show
up for dancing on Mondays, which makes six to eight squares of eight dancers
each.
Historically, square dancing has European roots and is related to the contra,
an English country dance, and French dances, the Quadrille and Contredanse Francais.
These dances arrived in America with the earliest settlers and although some
were lost, many were preserved, particularly in the southern Appalachians.
America's unique contribution to square dancing was adding a "caller."
A square dance caller calls out moves, or "calls," in time to the
music and the dancers in the square perform the movements, which causes them
to shift and the square to change shape. The calls are varied and have interesting
names, such as "dosado," "acey-deucey," "allemande
left," "Ferris wheel," "wheel and deal," and "swing
your partner." Some moves may even cause couples to switch partners. It
is the caller's job to ensure that the tangle of partners returns to its original
form.
There have been three callers in the club's 52-year existence -McKay from 1950
to 1969, Keith Gylfe from 1969 to 1993 and Larry Davenport, the clubÕs present-day
caller, who started calling for the Caper Cutters in 1993. Davenport has been
square dancing for 20 years and calling for 18. He started to square dance with
his wife in Tannersville, Pennsylvania in 1982 and two years later began a "close
apprenticeship" with caller John Kaltenhaler.
On the art of calling, Davenport says, "It is all about moving people
through choreography." He said it is necessary for every caller to be familiar
with "the arrangement of the dancers and how different calls move the dancers.
It is not memorized."
But memory does play an important part of square dancing because there are
so many calls. There are 70 "mainstream," or beginner, calls, 30 "plus,"
or intermediate calls and more than 100 "advanced" and "challenge"
calls. The Caper Cutters use "mainstream" and "plus" calls.
What Davenport likes the most about square dancing and calling is that it is
fun.
"It is nice to get out of the house and socialize," he said.
Davenport considers square dancing to be therapeutic since amidst the music
and calls there is little time to think about the events of the day, giving
the mind a chance to relax. By day, Davenport is the associate director of regulatory
affairs at Genentech, a biotech company. Davenport also calls for three other
square dancing clubs in the Bay Area, the Gingham Squares in Millbrae, the Belle
Swingers in Sunnyvale and the Square Hoppers in Los Gatos. Davenport also belongs
to Callerlab, an organization for professional callers, where he serves on its
board of governors.
Davenport enjoys sharing his knowledge about square dancing with others and
believes it is "a great activity for all ages."
"There is some truth in the fact that square dancing keeps people young.
It provides mental exercise as well as light physical exercise," he said.
Seth Affoumado, 40, the club's president for the past two years, says he become
involved with the Caper Cutters six years ago when his wife, Caroline Cory,
the club's elected membership chairperson, suggested the two try square dancing
- after seeing the event listed in the Sunset Beacon - since it was something
they could do together. After trying it once, Affoumado admits he "was
hooked."
He and others also are quick to mention the overall friendliness of the club
and the fact that "everyone is very nice" and that "people take
care of each other." Members are sent cards on their birthdays and every
Monday the refreshment table is filled with homemade cookies and brownies brought
by club members.
Because the Caper Cutters has more female members, some have to learn the male
parts so everyone will be able to dance. The club also includes round dancing,
a type of dancing for couples, and line dancing in their Monday night programs.
The club is just finishing its first New Dancer's Class, a series of eight classes
for interested newcomers.
The Caper Cutters meet Monday evenings, at 7 p.m., at St. Paul's Church Hall, 43rd Avenue and Judah Street. Introductory classes cost $4 and members pay $28 quarterly dues. Call (415) 334-0433 or visit www.sfsquaredancing.org for more information.