Bluegrass a Musical Passion for Richmond District Couple
By John W. Davis
Jeanie and Chuck Poling might be described as a typical Richmond District couple;
married with regular daytime jobs, living in a flat near Golden Gate Park with
two children attending public schools. But that is where the "usual"
ends.
The couple, who met about 20 years ago through their shared love for music,
are serious, active performers of the country music genre called bluegrass.
The Polings perform regularly at various venues in San Francisco and the Bay
Area. Recent gigs include performances on Clement Street at the Last Day Saloon
and The Plough and Stars and in the Mission District at The Atlas Cafe.
With Jeanie as the guitarist/lead singer and Chuck on the mandolin, they create
an exciting, energetic, toe-tapping sound. They perform as a duo, but are often
joined by fiddle player and singer Karla Solheim. In a typical jam at The Plough
and Stars anyone from the audience is encouraged to join in.
"We create right on the spot within a laid back atmosphere," Chuck
said.
The Polings love performing. "We met through our interest in music and
have the same feelings about it," Jeanie says.
While Northern California would not be regarded as the center of country music,
bluegrass does have an active, popular following with a well attended bluegrass
festival in Grass Valley and a Northern California Bluegrass festival in February
with 10 days of performances and workshops. Chuck characterizes bluegrass as
a genre of traditional country music.
"There is a lot of crossover but bluegrass refers to the type of instruments
and the style of music, a hard-driving rhythm and high lonesome sound,"
he said. "We use a lot of acoustic instruments, including the dobro (a
metal acoustic guitar), banjo, bass fiddle and mandolin Ð but no drums."
The roots of bluegrass are in the African-American tradition of songs from the
early 1900s in the rural Appalachian area in the southern U.S. However, most
sources give credit to Bill Monroe and his Grass Valley Boys Band for introducing
the new form of country music in Kentucky in the '20s.
Monroe brought a hard driving, powerful sound using acoustic instruments and
vocal harmonies. The mandolin became a critical part of bluegrass bands. Many
experts date the real beginning of the music to 1939, when Earl Scruggs, a 21-year-old
banjo player with an innovative style of three finger picking , joined Monroe's
band. Music has been a lifelong part of the Polings life.
While they grew up enjoying a wide variety of music, including show tunes, jazz
standards and classical, they have a special appreciation for bluegrass.
Chuck says young people are looking for music with some sort of soul and universal
themes, such as disasters and heartbreak. In fact, a good percentage of the
PolingÕs audience is in their 20s.
Jeanie and Chuck see themselves as a good match for the bluegrass performance
style, which relies on a close connection with the audience and a people-friendly
attitude that encourages involvement and participation.
"We maintain eye contact with the people and we even handle the hecklers
in a positive (non-threatening) way," Chuck said.
"Bluegrass brings all kinds of people together. This music is the common
language," Jeanie added.
Chuck, a native San Franciscan, grew up and attended schools in the Mission.
He later attended college at the University of Mississippi where he enjoyed
southern country music and other interesting characteristics of the culture.
Jeanie, originally from Long Island, is active in the Parent Teacher Student
Association at her younger child's school. She says, a bit ruefully, that her
children have not yet taken to their parent's love of bluegrass, but maybe their
interest will increase once they pass through the teenage years.
The Polings love living in the Richmond District, a block from the park, close
to great restaurants and having family nearby (Jeanie's parents live in a flat
in their building). The Polings preparation for a gig can begin by finding songs
from obscure gems by "scavenging" used record stores. Then they work
on the structure of the arrangement of the song and determine which instruments
to use. When they work with others they try to give all participants a chance
to shine.
The Polings encourage all Richmond residents to attend a jam or festival.
"The best way to learn about bluegrass is to come to (a jam)," Chuck
says. Some upcoming events featuring the Polings include: Dec. 4 at The Plough
and Stars, 116 Clement St., at 8 p.m., no cover charge; Dec. 15 at Rock Soup
Cafe at Mission and 29th streets, at 7:30 p.m., no cover; and in February (details
to be announced) at the S.F. Bluegrass Old Time Festival.